Showing posts with label agents. Show all posts
Showing posts with label agents. Show all posts

Monday, July 9, 2012

Writerly Things ~ Query Letters

For this episode of "Writerly Things," I'll touch on a subject near and dear to the hearts of those aspiring to publication—query letters (also known as the "pitch letter.") (And by "near and dear," I mean, "which causes much grinding and gnashing of teeth and, possibly, alcoholism and/or abuse of cold medications with sedating properties.")

If you're not familiar with this term, lemme 'splain. (No, there ees too mush—lemme sum up.) In the business of publishing, the query letter is similar to the cover letter you write to accompany your resume when you apply for a job. Only, the query letter isn't selling you, but your book. (OK, by extension, it's selling you as well, but mainly, it's meant to highlight your work.) In a query letter to a literary agent or editor/publisher, the writer endeavors to interest the reader in requesting a look at the work in question, with an eye to securing either representation (in the case of an agent) or publication (in the case of an editor).

Now, I'm no query letter expert. My own experiences with hooking a person's interest have been mixed. For my first book, That Fatal Kiss, I queried publishers and managed to get a nibble from one editorial assistant, bless her heart, who requested the full manuscript (or MS) but passed on the project. For my second novel, Bedeviled, I concentrated on querying agents instead and got three bites but no offers of representation. Le suck. This sad reality notwithstanding, I have had plenty of experience in formatting query letters/query packages and will share them with y'all here. (Please note: this is just how I do stuff, which isn't to say it's the best way, but it's one way, and if you've never done this before, it might prove helpful to you.) Also, I query for fiction, so the info below is for that sorta query.

How I Get Started
I identify the agents who seem to be interested in representing the kinda stuff I like to write, using resources like:
At a query workshop, one agent suggested looking up the acknowledgement pages in my favorite books to see if the authors thank their agents and perhaps query those cats (assuming they're open to unsolicited queries).

To research the more promising dudes, and make sure I really want to query them, I'll check out:

Once I've got a list of folks, I visit/bookmark their agencies' Web sites to learn their submissions requirements. If none can be found, I'll go with the guidelines on AgentQuery or QueryTracker, and/or I'll use my best judgment (such as it is).

What I Include in A Query
That'll depend on the agent or publisher's stated requirements. Sending things in excess of what they say they want is a waste of time, energy, and money. And I'm both lazy and cheap, so I like to keep things simple, if I can.

A Query May Comprise:
  • The query letter
  • That and a synopsis*
  • These and anywhere from 1 - 50 pages of your MS
  • These and an outline*
  • Any combo of the above items
*I'll write more about the synopsis and outline in a future post. God willing. (I'm of Portuguese descent, which equals superstitious, which means nothing is certain till it actually happens.) ('Cause we're fatalistic like that.)

How I Format My Query Letter
  1. 1" margins all around (for paper; I don't sweat margins in an e-query)
  2. Font: If a paper query, something with a serif, like Times New Roman. If e-query, a sans-serif font, like Arial
  3. Block style business letter (though mostly I've been querying via e-mail, but either way, it's all aligned left)
  4. One page in length (check each person/place's requirements, though; sometimes 2 pages are acceptable but generally, from what I've read, less is more)
What The Hell Goes Into a Query Letter?
These folks give good advice on the matter:

Once I've got the basic letter written, I get to e-mailing/posting to the individuals, being sure to check I've got the right names in the right letters and tailored each query to each agent appropriately. If mailing a query, I include a self-addressed stamped envelope for a reply. My experience is that, generally, only a negative reply will require the SASE (unless, I suppose, the person you're querying doesn't do e-mail).

OK, so, that's all I got. Fellow writers, what words of wisdom would you add to this query letter primer?

Thursday, January 5, 2012

It's Not You...

...it's me, me, me!

Or so read the rejection letters (well, e-mails) from some of the literary agents I've been querying since late November 2011. I've queried 27 agents about my mythological romance novel so far and have heard back from 9 of them.

Getting any response at all is great, as it provides closure. Bear in mind that agents are hit with dozens, even hundreds, of unsolicited queries in any given week and they don't get paid to read them. Because of the sheer volume/time-suck of processing queries, some agents employ the "No response indicates I'm unable to offer representation" tactic, which isn't so kewl for the writer who's sitting on pins and needles, hoping against hope that something magical will happen. So, at least to my way of thinking, some news is better than none.

Still, bad response or no response, the kewlest thing of all would be to receive an e-mail asking to read my dang book! (Soon followed by an offer of representation, then a publishing deal, a big fat advance check and - what the hell, since I'm dreaming - a box of Lindt Hazelnut Truffles.) But, alas, to date I've received neither a bite, nor even a nibble - ain't nobody chompin' on my bait! (This is not a euphemism.)

They're all very polite, the rejections, starting with the standard, "Thank you for your query," (which I now hate, as a "but!" inevitably looms) (huh huh...looming "but!") and wrapping up with their best wishes for my success with the novel, which is kind enough. For the curious, and in the spirit of sharing with any aspiring authors who may be reading (and completely without malice and especially without desiring to open agents up to ridicule stemming from outrage on writers' behalf...behalves? Oh, you know what I mean, sheesh.), I present below some snippets (unidentified) from the responses I've received.

Short & Semi-Sweet:
"Unfortunately, this is not something I'm able to consider pursuing."
"...while yours [my query] isn't exactly what I am looking for, I would certainly encourage you to keep trying."

It's Not You, It's Me (a.k.a. Le Ouch!):
"With regret, though, I'm afraid the material didn't draw me in as much as I had hoped."
"I'm just not enthusiastic enough about the concept of your story to feel that I'd be the right agent for the project."

Somewhat Encouraging (I think): 
"...I'm sorry to say that the project just isn't a perfect fit with my current needs. This has less to do with your strengths as a writer and more to do with my goals as an agent and the trends of the current literary marketplace."
(That one hit me on my birthday for a bit of extra "OW!" But I'm sure the agent couldn't possibly have known it was my birthday.) (Right?)
"Unfortunately, this project doesn't sound right for me, but should you not find representation for it, I would be very happy to look at a different one in the future."
So, you know. It can bring a body down. But there's no point in obsessing over these - it's nothing personal (at least, I'm determined to believe it's nothing personal until someone tells me to please, for the love of all that's holy, STOP WRITING, ALREADY!!!). I totally geddit - agents gotta really dig a book to pursue it, 'cause they only earn coin from it when they're passionately driven to sell it. Je comprends bien. And je will keep at it. I've still got 18 queries out and about another 16 agents to try. The oft repeated advice is to query as widely as you can. Generally, it's best to query agents who've sold (and so, presumably like) the kind of thing you write. For example, I won't send a query for my sexy romance to an agent who's interested in cozy mysteries. And if I get through 40-ish agents and find no joy, well, then...it might be the wild wild west of Indie publishing for me - because I believe in this project and I'm gonna keep pushing it till I just can't push no more.